Author: Edward Bulwer-Lytton
A veiled Roman lady walks down the cobble stone street of ancient Pompeii. She smiles when she sees her friend and modestly removes only half her veil to greet her in front of the House of the Tragic Poet, a name that will be conferred upon it seventeen centuries hence.
“O friend! By wise Juno, how are you?”
“Alas and alack, dear friend! This day I am forced to place a one star review on Goodreads!”
“By the gods this is sore news indeed! Why?”
“The melodramatic overacting of the main characters is quite, quite terrible! Everything they say, by thunderous Jove, is exclaimed upon!”
“But-but, by Vulcan’s forge, a volcano ruins their whole world, is that not enough reason to be dramatic?”
“Not when the volcano erupts in only the last ten of 400 pages!”
The women stand and, with nervous hands, twist at the edges of their stola, a garment that was a long, pleated dress, worn over an undergarment called a tunica intima. The stola was generally sleeveless but versions of it did have short or long sleeves. These sleeves could belong to the stola itself or be a part of the tunic. The traditional sleeveless gown was fastened by clasps at the shoulder called fibulae. The stola was typically girt with ribbons, and typically had two belts. The first was worn just below the upper chest creating a great number of folds. The second and wider belt was worn around the waist. Stolas were generally made of fabrics like linen or wool, but a wealthy woman could be seen wearing a stola made of silk.
“Well then, you must at least then get a good day-in-the-life examination of the ancient city!”
“Nay! Tis a horrible Victorian soap opera of halfhearted assassinations and chaste love affairs!”
“O alas! That such a tale is wrecked in the telling!”
“Alas! By Mercury!”
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